The last time you cast your ballot, did you get your #democracysausage? In his 2016 book Social Media and Everyday Politics, author Tim Highfield exhibits his #democracysausage Instagram photo from 2015 (p. 147). As he explains, the ritual of compulsory voting colliding with Australian culture and participatory media led to the emergence of the #democracysausage and #democracycake hashtags with detailed maps and dedicated accounts tracking the availability of such food at polling places across Australia. Alongside Highfield’s 2015 polling booth selfie in the introduction (p. 2), these personal examples illustrate the book’s central premise that social media-oriented practices of politics are also the practices of everyday life, performed and documented at the blurry intersection of the private and the public.
Social Media and Everyday Politics provides an extensive look at the state of political communication theory and Internet scholarship covering social media and politics. Highfield intends the book as “a lens for examining the ways that individuals engage with political and personal issues as part of everyday social media activity, and by extension what this means beyond the social media context” (p. 11). Not only does he touch on many of the key debates and findings over the past decade to shape this lens, but he also complicates our understanding of these practices with caveats that account for gender, race, and other social and cultural categories. As an introduction to the research and theory on the topic through 2015, this book is a welcome addition to the scholar’s shelf.
However, rating the book as a helpful contribution of new research rather than a textbook-like compendium is more complicated. As an emergent research area, the landscape of social media and politics is inherently understudied and undertheorized. Highfield’s approach to the topic emphasizes comprehensive coverage of existing theories rather than a novel, narrative argument. To summarize the findings we have at the intersection of private, public, and political lives played out on social media, Highfield borrows the concept of “everyday politics” from civic studies scholar Harry Boyte (2004). Highfield’s use of everyday politics provides a new frame to researchers conversant in this literature and binds together the ideas and research he cites. However, a deeper dive into the civic engagement literature would be necessary to explore Boyte’s vision of everyday politics more fully.
“Growing out of Occupy Wall Street, Strike Debt has been working since May 2012 to build a social movement through various forms of media and market-based activism under the banner of “debt resistance.” They cite the history of Biblical jubilees that canceled debt to normalize society (Graeber 2011), the debtor movement like El Barzon in Mexico (Caffentzis 2013), and “mortgage strikes” by Empowering and Strengthening Ohio’s Peoples (Strike Debt 2014, 93), to make an intellectual and moral argument for debt resistance against the contemporary system of debt, which in their analysis causes dehumanizing shame and suffering. They describe debt as a weapon and a web that catches you—as soon as you pay off one loan you are indebted for another reason (Graeff and Bhargava 2014).”
“Participatory culture handed the 2012 U.S. presidential election season a bumper crop of political memes. These “election memes,” largely in the form of image macros, took sound bites from the candidates’ debates and speeches and turned them into “digital content units” of political satire “circulated, imitated, and/or transformed via the Internet by many users,” to paraphrase Limor Schifman’s definition of “internet meme” (2013, 177).
“Image macros like the lolcat, feature bold text on top of an image, often a “stock character,” and like all Internet memes are “multi-participant creative expressions through which cultural and political identities are communicated and negotiated” (Ibid.). This case study focuses on three popular image macro-based election memes that came out of the 2012 US presidential election cycle: “Fired Big Bird,” “Binders Full of Women,” and “You Didn’t Build That,” and argues that sharing such memes is a valid form of political participation in the style of what Tommie Shelby calls “impure dissent” (forthcoming).”
To inform policy, curricula, and future research on cyberbullying through an exploration of the moral reasoning of digitally active 10–14-year olds (tweens) when witnesses to digital abuse.
Conducted interviews with 41 tweens, asking participants to react as witnesses to two hypothetical scenarios of digital abuse. Through thematic analysis of the interviews, I developed and applied a new typology for classifying “upstanders” and “bystanders” to cyberbullying.
Identified three types of upstander and five types of bystander, along with five thinking processes that led participants to react in those different ways. Upstanders were more likely than bystanders to think through a scenario using high-order moral reasoning processes like disinterested perspective-taking. Moral reasoning, emotions, and contextual factors, as well as participant gender and home school district, all appeared to play a role in determining how participants responded to cyberbullying scenarios.
Hypothetical scenarios posed in interviews cannot substitute for case studies of real events, but this qualitative analysis has produced a framework for classifying upstanding and bystanding behavior that can inform future studies and approaches to digital ethics education.
This study contributes to the literature on cyberbullying and moral reasoning through in-depth interviews with tweens that record the complexity and context-dependency of thinking processes like perspective-taking among an understudied but critical age group.
One of the biggest news stories of 2012, the killing of Trayvon Martin, nearly disappeared from public view, initially receiving only cursory local news coverage. But the story gained attention and controversy over Martin’s death dominated headlines, airwaves, and Twitter for months, thanks to a savvy publicist working on behalf of the victim’s parents and a series of campaigns offline and online. Using the theories of networked gatekeeping and networked framing, we map out the vast media ecosystem using quantitative data about the content generated around the Trayvon Martin story in both offline and online media, as well as measures of engagement with the story, to trace the interrelations among mainstream media, nonprofessional and social media, and their audiences. We consider the attention and link economies among the collected media sources in order to understand who was influential when, finding that broadcast media is still important as an amplifier and gatekeeper, but that it is susceptible to media activists working through participatory or nonprofessional media to co-create the news and influence the framing of major controversies. Our findings have implications for social change organizations that seek to harness advocacy campaigns to news stories, and for scholars studying media ecology and the networked public sphere.
‘Mapping the Trayvon Martin Controversy.’ MIT Center for Civic Media blog. http://civic.mit.edu/blog/erhardt/mapping-the-trayvon-martin-media-controversy
This article details the networked production and dissemination of news on Twitter during snapshots of the 2011 Tunisian and Egyptian Revolutions as seen through information flows—sets of near-duplicate tweets—across activists, bloggers, journalists, mainstream media outlets, and other engaged participants. We differentiate between these user types and analyze patterns of sourcing and routing information among them. We describe the symbiotic relationship between media outlets and individuals and the distinct roles particular user types appear to play. Using this analysis, we discuss how Twitter plays a key role in amplifying and spreading timely information across the globe.
“Wikis invoke a multitude of the theoretical issues regarding authorship raised in late structuralist and poststructuralist thought. For many in the humanities and social sciences, the decentering of authorship in favor of discursive and systemic methodologies more attuned to power, historicity, and a dynamic “field” of representation has led to novel methods for critical interpretation and evaluation. However, such models have not become a significant component in how communication is understood within the public sphere. The singular author is very much the model that governs the expectations of most readers. By complicating traditional notions of authorship, wikis affect associated issues of authority, originality, and value.”