S. Chowdhary, S. Daitzman, R. Eisenbud, E. Pan and E. Graeff, “Care and Liberation in Creating a Student-Led Public Interest Technology Clinic,” in IEEE Technology and Society Magazine, vol. 40, no. 3, pp. 50-52, Sept. 2021, doi: 10.1109/MTS.2021.3101915.
Engineers disengage from public welfare concerns during undergraduate engineering education . In her widely cited study, Erin Cech argued that this arises from a culture of depoliticization in engineering that dismisses “nontechnical” concerns and competencies, reifying a false technical/social dichotomy and meritocratic ideology that justifies existing social structures. Our college, Olin College of Engineering, was part of that study, displaying similar patterns to more traditional schools. We are resisting that trend by embracing “public interest technology” (PIT) , which we believe offers a response to the culture of disengagement. In our application, PIT represents a community of practice that encourages engineers to fully engage with context, inequity, and uncertainty; to connect technical work to their own lives and environment; and to prioritize the common good while minimizing public harms.
Thick is an excellent collection of Black feminist essays. We are lucky to have Tressie McMillan Cottom’s brain and pen. As an academic trained in sociology, I particularly appreciate Cottom’s approach of blending candid personal narrative, social theory, social scientific facts, and clear as day opinion. These essays are highly readable for a non-academic audience, yet she doesn’t dumb down the ideas or pull any punches. She is asking us to do the work.
The book revisits other pieces she has written. Some of the essays are revisions, others are new responses to conversations sparked by old essays. She writes to clarify her own thinking and make clear the social world surrounding us from the perspectives we usually don’t hear or ignore. Thus, her essays include narratives and metanarratives. Cottom helps us understand why and how she writes. And she explains her specific goals and vision for a society that listens to Black women, that takes their experience and wisdom seriously. There aren’t any hidden agendas here; they are out in the open. She wants us to discuss them. That’s the point.
I love her voice (she is also great in her interviews on television and radio), and I look forward to future collections of her writing.
Disclosure: The author is a friend and a colleague. I have known her and her work for 10+ years. As part of the Awesome Foundation in Boston I helped select her Accessible Icon Project to receive a $1000 grant to print and distribute its graffiti stickers.
Though I know the author personally and have been excited for her fully realized thesis on disability and design, I am confident in saying this book deserves 5 stars for the last chapter alone. Hendren’s reflection on how she came to appreciate “crip time” as the parent of a son with Down syndrome is profoundly moving and insightful. The chapter is anchored by her honest retelling of the difficulty of shifting her mindset and moving past the dehumanizing and stigmatizing industrial age narratives of productivity, efficiency, and ordinality of people, by which medical professionals and many in society view her son. By connecting with a wider community of people with disabilities and those who love and respect them, she slowly refines a lens on the world that offers a better narrative, a society in which we choose humanity, dignity, and interdependency—a world we could build together.
The introduction to What Can a Body Do? sets the themes for the book—forcing us to rethink our conceptions of disability and people with disabilities and consider the innovative energy they have always brought to the world and how our world has been made better by it. When we understand that all technology is actually assistive technology and all bodies are different, we free ourselves from many limiting beliefs about what design is and should do. We also appreciate the beauty possible in all expressions of life and that we are all deserving of spaces and things that allow us to express ourselves.
I related to this book even though I am someone dripping with privilege and ability. White, male, cisgender, cissexual, able-bodied, and able-minded, I have few attributes that would be described as disability. My tallness is usually understood as a particularly desirable trait. But that does not mean that technology and the built world are necessarily friendly to me. This book gave me some language and perspective to make sense of my own experience. My body is not average. Fixed seats on buses and airplanes can be painfully uncomfortable to me. In fact, I am asked to pay more to find a seat that fits me on a flight. When bodies defy the narrow boundaries of “normal,” outliers like me can sometimes seek (or pay for) “accommodation” or they might be left out.
Mass production, just like the mass housing of people with disabilities to provide specialized medical care, is a modern phenomenon. We used to tailor clothing, furniture, spaces, and understood the members of our family with disabilities as family members, different like everyone was different. It took (and continues to take) disability-rights activists to shame us as a society into seeing the dehumanizing and disempowering ways we had built the world, assuming those with bodies and minds outside of the statistical average were not really a part of our world. In the process, these activists have given us curb cuts for parents with strollers and older people. They gave us spaces and mobility options reserved for people with disabilities, so that they can easily access public and private places through close parking spaces, ramps, and elevators. We all benefit from these features.
Through chapters challenging our preconceived notions about limbs, chairs, rooms, streets, and clocks, Sara Hendren provides a tour through the built world and we meet people who have met the challenges posed by a world not designed for them through invention, grace, and prophetic visions of what we could be and do together. I strongly recommend this book to my colleagues in the design and engineering fields but also to many interested in civics and democracy. The questions the author poses are about what we should value, how we should see ourselves in the world, how we should relate to one another, and how we define diversity, inclusion, and community.
This is the companion book to Astra Taylor’s excellent documentary What is Democracy? Many of the interviews, historical references, and scenes are fleshed out here and organized around a more pointed argument than the documentary offers. Where the film pursues curiosity about the true meaning of democracy and how it is meant to function through the lenses of historical definitions and contemporary history, Taylor’s book explores many of the tensions inherent to democracy to help us understand its fragility as a concept and practice and warn us that we are at risk of losing the bits of democracy we have established in modern times.
Democracy’s contradictions and tensions, especially its modern coevolution with capitalism, allow it to be exploited easily in ways that undermine its own ideals. Its strength and weakness is its fluidity. Most importantly, it is dependent on a shared belief of its citizens that this is how we want to govern ourselves, and a commitment to collaborate together to preserve it. This all makes democracy rare and precious and, as I said, fragile.
Taylor marshals a wide range of philosophy, literature, history, and contemporary commentary to present her case. The book is erudite and insightful in the juxtapositions in provides, like the movies Taylor makes as a skilled documentarian. At times, though, it feels a bit thrown together and winding. Being organized around themes, means it often lacks the compelling, cohesive narrative that makes you want to keep reading past the parts that don’t grab you as strongly. The book seems little confused about what it wants to be—straddling the line between an academic volume and a popular press book—but not quite succeeding as either. The book would have benefited from an edit developing stronger storytelling at the book and chapter levels to structure its narrative.
I still think Taylor’s contribution here as an amateur democratic theorist and observer of contemporary society is impressive. Right now, we are all looking for some guidance on how to make sense of democracy, and I think Taylor’s book will be instructive for many, especially in helping make sense of why democracy is not “the end of history,” but is rather an unlikely dance we have found ourselves in. And if we don’t pay attention and work together, “we’ll miss it when it’s gone.”
What did the “Old Left,” what Rorty calls the “reformist Left,” ever achieve? A lot, according to Richard Rorty in this set of lectures and notes.
The New Left, which Rorty calls the “cultural Left” is now the dominant form of Leftist politics in the United States, ascendant since the 1960s. Rorty, argues that they have largely forgotten their history, rather ironically, as they complain that every system is broken and that we don’t deserve the patriotic hopefulness that the U.S. traditionally inspires. With the decline of the Soviet Union and Marxism as a useful theory of history, this leaves the Left without a hopeful, unifying narrative—a vision. Multiculturalism, the dominant Leftist social theory and goal in the 1990s, is inherently divisive.
Rorty concedes that there has been value in the cultural Left, pointing a finger at the US’s history of (and ongoing) oppression against different groups. He can enumerate the cultural Left victories through identity politics that have produced dramatic increases in social acceptance of marginalized people and an unearthing of their histories and experiences for the public. However, writing in 1997, he sees all of these victories as evanescent without a willingness to work on reform: enacting laws and policies (that often require compromise) to secure good outcomes for people.
Rorty has little time for Marxist theories here. There is not a coming revolution by the working class (what is the working class now anyway?) because the relationships between capitalists and corporations and communities and people have been thoroughly transformed by globalization. We need the government more than ever to step in regulate the economy. We need reform and we need the recreate the alliance between the cultural Left and reformist Left to achieve it.
Both traditions agree that the work of the country is unfinished, that the United States and democracy is an ongoing project which we must continue to make progress on to realize better quality of life for all. Conservatives fought against all of the social democratic work achieved by the reformist Left under presidents like FDR and LBJ. These policies weren’t perfect and racism undermined the access to key resources and services, but the core vision was a decent one and deserving our efforts politically to expand them.
My favorite part of this book is Rorty’s deep love of the writing of Walt Whitman and John Dewey and their hopeful narratives of America. Rorty laments the abandonment of these narratives of “social hope” on the Left since the 1960s. The Left needs to be a politics of hope and needs to return to its pragmatic roots of labor organizing and power-building at all levels of society. The Left cannot simply focus on the abstract virtues of a progressive culture, retiring into academic enclaves and only turning out to the street to protest. The Left must commit to building electoral power and propose hopeful policies on every socioeconomic issue. Only then can we achieve our country.
I would imagine that Rorty (the Rorty I infer from this book) would be energized after Biden’s election. The rhetorical work of the Obama campaign emphasizing hope and building a broad coalition would have been exactly what he would have wanted. But then the campaign withered away rather than creating the kind of ongoing organizing effort it could have achieved at local, state, and national levels. Trump, which Rorty seems to have been predicted in these lectures, was allowed to become president because of the lack of the narrative of hope and an effort among the political class of the Left (Democrats) to move to the center further dividing the Leftist coalition and imploding the narrative of progress. Biden might represent a good bridge between the reformist Left and cultural Left if they can meet there through the work of figures like AOC and Stacy Abrams and willingness of leaders like Pelosi and Schumer and organizers like Color of Change to prevent another populist demagogue from selling false hope from the Right.